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The Falcon and the Snowman

The Falcon and the Snowman

Thriller · Drama · Crime · 1985

The true story of a disillusioned military contractor employee and his drug pusher childhood friend who became walk-in spies for the Soviet Union.

Movie details

The Falcon and the Snowman

“They came from the best of families. And they committed the worst of crimes.”

1985 Thriller · Drama · Crime 2h 12m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

The true story of a disillusioned military contractor employee and his drug pusher childhood friend who became walk-in spies for the Soviet Union.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Falcon and the Snowman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Snowden

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Seven Days in May

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Missing

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The Counterfeit Traitor

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The Outsiders

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Crime · 1983

In 1960s Tulsa, class divisions ignite a violent rivalry between the working-class Greasers and the privileged Socs. When a deadly encounter forces two Greasers, Ponyboy and Johnny, to flee, their struggle for survival and redemption exposes the fragile innocence and enduring bonds of youth on the wrong side of town.

Where it lives

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Names above the title

The people responsible.

Directed by

John Schlesinger

Written by

Steven Zaillian

Timothy Hutton

Timothy Hutton

Christopher Boyce

Sean Penn

Sean Penn

Daulton Lee

Pat Hingle

Pat Hingle

Mr. Charlie Boyce

Joyce Van Patten

Joyce Van Patten

Mrs. Boyce

Art Camacho

Art Camacho

Boyce Child

Richard Dysart

Richard Dysart

Dr. Lee

Priscilla Pointer

Priscilla Pointer

Mrs. Lee

Court is in session

Put The Falcon and the Snowman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.