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The Last of Sheila

The Last of Sheila

Crime · Drama · Mystery · 1973

A year after Sheila is killed in a hit-and-run, her multimillionaire husband invites a group of friends to spend a week on his yacht playing a scavenger hunt-style mystery game—but the game turns out to be all too real and all too deadly.

Movie details

The Last of Sheila

“Any number can play. Any number can die.”

1973 Crime · Drama · Mystery 2h 0m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

A year after Sheila is killed in a hit-and-run, her multimillionaire husband invites a group of friends to spend a week on his yacht playing a scavenger hunt-style mystery game—but the game turns out to be all too real and all too deadly.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last of Sheila?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Frantic

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Dead Man's Folly

Dead Man's Folly

Crime · 1986

During a murder hunt game at a country house, to which Hercule Poirot is invited as an "expert", a real murder occurs.

Night Moves

Night Moves

Thriller · 1975

Private detective and former football player Harry Moseby gets hired on to what seems a standard missing person case - a former Hollywood actress wants Moseby to find and return her daughter. Harry travels to Florida to find her, but he begins to see a connection between the runaway girl, the world of Hollywood stuntmen, and a suspicious mechanic when an unsolved murder comes to light.

The Public Eye

The Public Eye

Crime · 1992

A crime photographer gets involved in a conspiracy.

The Limits of Control

The Limits of Control

Crime · 2009

A mysterious stranger works outside the law and keeps his objectives hidden, trusting no one. While his demeanor is paradoxically focused and dreamlike all at once, he embarks on a journey that not only takes him across Spain, but also through his own consciousness.

Stolen

Stolen

Crime · 2009

A detective becomes obsessed with solving a child's 50-year-old murder, uncovering striking similarities between the case and his son's disappearance.

Querelle

Querelle

Drama · 1982

French sailor Querelle arrives in Brest and starts frequenting a strange whorehouse. He discovers that his brother Robert is the lover of the lady owner, Lysiane. Here, you can play dice with Nono, Lysiane's husband: if you win, you are allowed to make love with Lysiane; if you lose, you have to make love with Nono... Querelle loses on purpose.

American Gigolo

American Gigolo

Crime · 1980

Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.

Tony Rome

Tony Rome

Crime · 1967

Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.

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Names above the title

The people responsible.

Directed by

Herbert Ross

Written by

Anthony Perkins · Stephen Sondheim

Richard Benjamin

Richard Benjamin

Tom Parkman

Dyan Cannon

Dyan Cannon

Christine

James Coburn

James Coburn

Clinton Greene

Joan Hackett

Joan Hackett

Lee Parkman

James Mason

James Mason

Philip Dexter

Ian McShane

Ian McShane

Anthony Wood

Raquel Welch

Raquel Welch

Alice Wood

Court is in session

Put The Last of Sheila on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.