“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The Last of Sheila
Crime · Drama · Mystery · 1973
A year after Sheila is killed in a hit-and-run, her multimillionaire husband invites a group of friends to spend a week on his yacht playing a scavenger hunt-style mystery game—but the game turns out to be all too real and all too deadly.
The Last of Sheila
“Any number can play. Any number can die.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.0 / 10
Community rating
A year after Sheila is killed in a hit-and-run, her multimillionaire husband invites a group of friends to spend a week on his yacht playing a scavenger hunt-style mystery game—but the game turns out to be all too real and all too deadly.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Last of Sheila?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Herbert Ross
Written by
Anthony Perkins · Stephen Sondheim
Put The Last of Sheila on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.






