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I Killed My Mother

I Killed My Mother

Drama · 2009

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

Movie details

I Killed My Mother

“Sons forget their mothers can die.”

2009 Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Killed My Mother?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Xavier Dolan

Written by

Xavier Dolan

Anne Dorval

Anne Dorval

Chantale Lemming

Xavier Dolan

Xavier Dolan

Hubert Minel

François Arnaud

François Arnaud

Antonin Rimbaud

Suzanne Clément

Suzanne Clément

Julie Cloutier

Patricia Tulasne

Patricia Tulasne

Hélène Rimbaud

Niels Schneider

Niels Schneider

Eric

Monique Spaziani

Monique Spaziani

Denise

Court is in session

Put I Killed My Mother on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.