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Return to Me

Return to Me

Romance · Comedy · 2000

It took a lot of cajoling to get Bob, a recently widowed architect, to go on a blind date at a quirky Irish-Italian eatery. Once there, he's smitten instantly not with his date but with the sharp-witted waitress. Everything seems to be going great until an unbelievable truth is revealed, one that could easily break both of their hearts for good.

Movie details

Return to Me

“A comedy straight from the heart.”

2000 Romance · Comedy 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

It took a lot of cajoling to get Bob, a recently widowed architect, to go on a blind date at a quirky Irish-Italian eatery. Once there, he's smitten instantly not with his date but with the sharp-witted waitress. Everything seems to be going great until an unbelievable truth is revealed, one that could easily break both of their hearts for good.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Return to Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Bonnie Hunt

Written by

Samantha Goodman · Don Lake · Bonnie Hunt · Andrew Stern

David Duchovny

David Duchovny

Bob Rueland

Minnie Driver

Minnie Driver

Grace Briggs

Carroll O'Connor

Carroll O'Connor

Marty O'Reilly

Robert Loggia

Robert Loggia

Angelo Pardipillo

Jim Belushi

Jim Belushi

Joe Dayton

Bonnie Hunt

Bonnie Hunt

Megan Dayton

David Alan Grier

David Alan Grier

Charlie Johnson

Court is in session

Put Return to Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.