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Make the Yuletide Gay

Make the Yuletide Gay

Drama · Comedy · Romance · 2009

The holidays get overly festive as Olaf "Gunn" Gunnunderson, an out-and-proud gay college student, crawls back into the closet to survive the holidays with his parents. But when his boyfriend, Nathan, shows up at their doorstep unannounced, Gunn must put on a charade to keep the relationship a secret. With pressure mounting from all sides, will Gunn come out before the truth does?

Movie details

Make the Yuletide Gay

2009 Drama · Comedy · Romance 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The holidays get overly festive as Olaf "Gunn" Gunnunderson, an out-and-proud gay college student, crawls back into the closet to survive the holidays with his parents. But when his boyfriend, Nathan, shows up at their doorstep unannounced, Gunn must put on a charade to keep the relationship a secret. With pressure mounting from all sides, will Gunn come out before the truth does?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Make the Yuletide Gay?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Rob Williams

Written by

Rob Williams

Keith Jordan

Keith Jordan

Olaf 'Gunn' Gunnunderson

Wyatt Fenner

Wyatt Fenner

Thomas

Hallee Hirsh

Hallee Hirsh

Abby Mancuso

Kelly Keaton

Kelly Keaton

Anya Gunnunderson

Derek Long

Derek Long

Sven Gunnunderson

Alison Arngrim

Alison Arngrim

Heather Mancuso

Adamo Ruggiero

Adamo Ruggiero

Nathan Stanford

Court is in session

Put Make the Yuletide Gay on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.