“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

I Married a Witch
Romance · Fantasy · Comedy · 1942
A 17th-century witch returns to wreak havoc in the life of a descendant of the Puritan witch hunter who burned her, but runs afoul of her father when she discovers that her mischief might have found her true love.
I Married a Witch
“No man can resist her!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
A 17th-century witch returns to wreak havoc in the life of a descendant of the Puritan witch hunter who burned her, but runs afoul of her father when she discovers that her mischief might have found her true love.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over I Married a Witch?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
René Clair
Written by
Robert Pirosh · Marc Connelly · Thorne Smith · Norman Matson
Put I Married a Witch on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






