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Oliver Twist

Oliver Twist

Crime · Drama · Family · 2005

An orphan endures a harsh life in a workhouse before fleeing to London, where he falls in with a gang of juvenile pickpockets led by the criminal Fagin, and eventually finds a better life, exposing the cruelties of poverty and child labor in Victorian England.

Movie details

Oliver Twist

2005 Crime · Drama · Family 2h 10m

Critical arithmetic

The consensus, allegedly.

IMDb

6.8 / 10

35.2K votes

Metacritic

65 / 100

Metascore

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

An orphan endures a harsh life in a workhouse before fleeing to London, where he falls in with a gang of juvenile pickpockets led by the criminal Fagin, and eventually finds a better life, exposing the cruelties of poverty and child labor in Victorian England.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Oliver Twist?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A middle-aged man recalls his childhood growing up in and around London during World War II.

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The Wrong Man

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Flawless

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Roman Polanski

Written by

Ronald Harwood

Barney Clark

Barney Clark

Oliver Twist

Ben Kingsley

Ben Kingsley

Fagin

Jamie Foreman

Jamie Foreman

Bill Sikes

Harry Eden

Harry Eden

The Artful Dodger

Edward Hardwicke

Edward Hardwicke

Mr. Brownlow

L

Leanne Rowe

Nancy

Ian McNeice

Ian McNeice

Mr. Limbkins

Court is in session

Put Oliver Twist on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.