“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

My Little Pony: The Movie
Animation · Family · 1986
The first day of Spring is on its way and the Little Ponies are preparing for it with a big festival. But all the fun may come to an end if the witch Hydia has her way! Can the Ponies defeat Hydia and her evil daughters, Reeka and Draggle? More importantly, can they save Ponyland from the witches’ concoction, the strange purple goo called Smooze, that’s threatening to bury the whole town?
My Little Pony: The Movie
“The happiest, most fun-filled adventure you've ever seen.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
The first day of Spring is on its way and the Little Ponies are preparing for it with a big festival. But all the fun may come to an end if the witch Hydia has her way! Can the Ponies defeat Hydia and her evil daughters, Reeka and Draggle? More importantly, can they save Ponyland from the witches’ concoction, the strange purple goo called Smooze, that’s threatening to bury the whole town?
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over My Little Pony: The Movie?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Mike Joens
Written by
George Arthur Bloom
Put My Little Pony: The Movie on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.





