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The Deep End

The Deep End

Mystery · Thriller · Crime · 2001

With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?

Movie details

The Deep End

“How far would you go to protect your family?”

2001 Mystery · Thriller · Crime 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Deep End?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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American Gigolo

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Wonderland

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A Good Woman Is Hard to Find

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Reservation Road

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We Own the Night

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Names above the title

The people responsible.

Directed by

David Siegel · Scott McGehee

Written by

David Siegel · Scott McGehee

Tilda Swinton

Tilda Swinton

Margaret Hall

Goran Višnjić

Goran Višnjić

Alek Spera

Jonathan Tucker

Jonathan Tucker

Beau Hall

Josh Lucas

Josh Lucas

Darby Reese

Peter Donat

Peter Donat

Jack Hall

Raymond J. Barry

Raymond J. Barry

Carlie Nagel

Tamara Hope

Tamara Hope

Paige Hall

Court is in session

Put The Deep End on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.