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Angels in the Outfield

Angels in the Outfield

Comedy · Family · Fantasy · 1994

Roger is a foster child whose irresponsible father promises to get his act together when Roger's favourite baseball team, the California Angels, wins the pennant. The problem is that the Angels are in last place, so Roger prays for help to turn the team around. Sure enough, his prayers are answered in the form of angel Al.

Movie details

Angels in the Outfield

“Ya Gotta Believe!”

1994 Comedy · Family · Fantasy 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Roger is a foster child whose irresponsible father promises to get his act together when Roger's favourite baseball team, the California Angels, wins the pennant. The problem is that the Angels are in last place, so Roger prays for help to turn the team around. Sure enough, his prayers are answered in the form of angel Al.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Angels in the Outfield?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

William Dear

Written by

George Wells · Holly Goldberg Sloan · Dorothy Kingsley

Danny Glover

Danny Glover

George Knox

Tony Danza

Tony Danza

Mel Clark

Brenda Fricker

Brenda Fricker

Maggie Nelson

Ben Johnson

Ben Johnson

Hank Murphy

Joseph Gordon-Levitt

Joseph Gordon-Levitt

Roger

Jay O. Sanders

Jay O. Sanders

Ranch Wilder

Taylor Negron

Taylor Negron

David Montagne

Court is in session

Put Angels in the Outfield on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.