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Fish Tank

Fish Tank

Drama · 2009

Fifteen-year-old Mia is in a constant state of war with her family and the world around her. When she meets her party-girl mother’s charming new boyfriend Connor, she is amazed to find he returns her attention, and believes he might help her start to make sense of her life.

Movie details

Fish Tank

“Live, love and give as good as you get.”

2009 Drama 2h 3m

Critical arithmetic

The consensus, allegedly.

IMDb

7.3 / 10

66.2K votes

Rotten Tomatoes

91 %

Tomatometer

Metacritic

81 / 100

Metascore

TMDB

6.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Fifteen-year-old Mia is in a constant state of war with her family and the world around her. When she meets her party-girl mother’s charming new boyfriend Connor, she is amazed to find he returns her attention, and believes he might help her start to make sense of her life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fish Tank?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Andrea Arnold

Written by

Andrea Arnold

Katie Jarvis

Katie Jarvis

Mia Williams

Michael Fassbender

Michael Fassbender

Connor O'Reily

Kierston Wareing

Kierston Wareing

Joanne Williams

Rebecca Griffiths

Rebecca Griffiths

Tyler Williams

Harry Treadaway

Harry Treadaway

Billy

Jason Maza

Jason Maza

Billy's Brother

Jack Gordon

Jack Gordon

Billy's Brother

Court is in session

Put Fish Tank on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.