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Daria in 'Is It College Yet?'

Daria in 'Is It College Yet?'

Animation · Comedy · TV Movie · 2002

All vile things must come to an end, and for Daria Morgendorffer that means it's time to look beyond high school to college. Our little girl has grown up so fast. It's time for higher learning, lowered expectations, and a heavy dose of sarcasm. Life can't suck more after high school, can it?

Movie details

Daria in 'Is It College Yet?'

2002 Animation · Comedy · TV Movie 1h 5m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

All vile things must come to an end, and for Daria Morgendorffer that means it's time to look beyond high school to college. Our little girl has grown up so fast. It's time for higher learning, lowered expectations, and a heavy dose of sarcasm. Life can't suck more after high school, can it?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Daria in 'Is It College Yet?'?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Karen Disher

Written by

Glenn Eichler · Peggy Nicoll

Tracy Grandstaff

Tracy Grandstaff

Daria Morgendorffer (voice)

Wendy Hoopes

Wendy Hoopes

Jane Lane / Helen Morgendorffer / Quinn Morgendorffer (voice)

Julián Rebolledo

Julián Rebolledo

Jake Morgendorffer (voice)

Alvaro J. Gonzalez

Alvaro J. Gonzalez

Trent Lane (voice)

Marc Thompson

Marc Thompson

Anthony DiMartino / Timothy O'Neill / Kevin Thompson / Jamie White (voice)

Russell Hankin

Russell Hankin

Tom Sloane (voice)

T

Tim Novikoff

Jeffy (voice)

Court is in session

Put Daria in 'Is It College Yet?' on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.