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Salt of the Earth

Salt of the Earth

Drama · History · 1954

At New Mexico's Empire Zinc mine, Mexican-American workers protest the unsafe work conditions and unequal wages compared to their Anglo counterparts. Ramon Quintero helps organize the strike, but he is shown to be a hypocrite by treating his pregnant wife, Esperanza, with a similar unfairness. When an injunction stops the men from protesting, however, the gender roles are reversed, and women find themselves on the picket lines while the men stay at home.

Movie details

Salt of the Earth

“At last, an honest movie about American working people”

1954 Drama · History 1h 34m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

At New Mexico's Empire Zinc mine, Mexican-American workers protest the unsafe work conditions and unequal wages compared to their Anglo counterparts. Ramon Quintero helps organize the strike, but he is shown to be a hypocrite by treating his pregnant wife, Esperanza, with a similar unfairness. When an injunction stops the men from protesting, however, the gender roles are reversed, and women find themselves on the picket lines while the men stay at home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Salt of the Earth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Herbert J. Biberman

Written by

Michael Wilson

Rosaura Revueltas

Rosaura Revueltas

Esperanza Quintero

Juan Chacón

Juan Chacón

Ramon Quintero

Will Geer

Will Geer

Sheriff

David Bauer

David Bauer

Barton

M

Mervin Williams

Hartwell

D

David Sarvis

Alexander

C

Clinton Jencks

Frank Barnes

Court is in session

Put Salt of the Earth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.