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What a Way to Go!

What a Way to Go!

Comedy · Romance · 1964

A four-time widow discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.

Movie details

What a Way to Go!

“What A Cast!... What A Past!... What A Show!...”

1964 Comedy · Romance 1h 51m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

A four-time widow discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over What a Way to Go!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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That Uncertain Feeling

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A happily married woman sees a psychoanalyst and develops doubts about her husband.

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A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the window.

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Relative Values

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A comedy of discriminating taste and dirty little secrets. In 1952 England, Nigel, the Earl of Marshwood, woos Hollywood star Miranda, upsetting both Nigel's mother, Countess Felicity, and Miranda's former love fellow Hollywood star Don. Right before the engagement party at Marshwood, Moxie, the Countess's personal maid and best friend, reveals that Miranda is her estranged sister. Crestwell, the Countess's butler, devises a plan - but an inebriated Don's arrival at Marshwood to talk to Miranda causes all chaos to break loose.

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Names above the title

The people responsible.

Directed by

J. Lee Thompson

Written by

Gwen Davis · Betty Comden · Adolph Green

Shirley MacLaine

Shirley MacLaine

Louisa May Foster

Paul Newman

Paul Newman

Larry Flint

Robert Mitchum

Robert Mitchum

Rod Anderson Jr.

Dean Martin

Dean Martin

Leonard Crawley

Gene Kelly

Gene Kelly

Pinky Benson

Robert Cummings

Robert Cummings

Victor Stephanson

Dick Van Dyke

Dick Van Dyke

Edgar Hopper

Court is in session

Put What a Way to Go! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.