The defence The Auteur Devotee
“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.
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Straight Time
Crime · Drama · 1978
After being released on parole, a burglar attempts to go straight, get a regular job, and just go by the rules. He soon finds himself back in jail at the hands of a power-hungry parole officer.
Movie details
Straight Time
“"Please God, don't let him get caught."”
1978 Crime · Drama 1h 54m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.1 / 10
Community rating
After being released on parole, a burglar attempts to go straight, get a regular job, and just go by the rules. He soon finds himself back in jail at the hands of a power-hungry parole officer.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Straight Time?
For the defence
The Auteur Devotee
“You watch the director, not the movie.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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The Pelican Brief
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She Made Them Do It
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Names above the title
The people responsible.
Cast & crew
Directed by
Ulu Grosbard
Written by
Jeffrey Boam · Edward Bunker · Alvin Sargent
Dustin Hoffman
Max Dembo
Theresa Russell
Jenny Mercer
Gary Busey
Willy Darin
Harry Dean Stanton
Jerry Schue
M. Emmet Walsh
Earl Frank
Rita Taggart
Carol Schue
Kathy Bates
Selma Darin
Court is in session
Put Straight Time on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.