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TwentyFourSeven

TwentyFourSeven

Drama · 1998

In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience, starts trying to get the young people off the street and into doing something they can believe in: Boxing. Darcy opens a boxing club, aiming to bring the rival gangs together.

Movie details

TwentyFourSeven

“Everybody wants to be somebody.”

1998 Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience, starts trying to get the young people off the street and into doing something they can believe in: Boxing. Darcy opens a boxing club, aiming to bring the rival gangs together.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over TwentyFourSeven?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Shane Meadows

Written by

Shane Meadows · Paul Fraser

Bob Hoskins

Bob Hoskins

Alan Darcy

D

Danny Nussbaum

Tim

Bruce Jones

Bruce Jones

Geoff

Annette Badland

Annette Badland

Pat

Frank Harper

Frank Harper

Ronnie Marsh

D

Darren O. Campbell

Daz (as Darren Campbell)

Karl Collins

Karl Collins

Stuart

Court is in session

Put TwentyFourSeven on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.