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Destination Tokyo

Destination Tokyo

War · Drama · 1943

During World War II, Captain Cassidy and his crew of submariners are ordered into Tokyo Bay on a secret mission. They are to gather information in advance of the planned bombing of Tokyo. Along the way, the crew learn about each other as they face the enemy and some of them lose their lives.

Movie details

Destination Tokyo

“Explosive ! . . . And As Big As The Broad Pacific !”

1943 War · Drama 2h 15m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

5.8K votes

Rotten Tomatoes

67 %

Tomatometer

TMDB

6.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

During World War II, Captain Cassidy and his crew of submariners are ordered into Tokyo Bay on a secret mission. They are to gather information in advance of the planned bombing of Tokyo. Along the way, the crew learn about each other as they face the enemy and some of them lose their lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Destination Tokyo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Delmer Daves

Written by

Steve Fisher · Delmer Daves · Albert Maltz

Cary Grant

Cary Grant

Captain Cassidy

John Garfield

John Garfield

Wolf

Alan Hale

Alan Hale

'Cookie' Wainwright

John Ridgely

John Ridgely

Reserve Officer Raymond

Dane Clark

Dane Clark

Tin Can

Warner Anderson

Warner Anderson

Andy

William Prince

William Prince

Pills

Court is in session

Put Destination Tokyo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.