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The Book of Daniel

The Book of Daniel

Drama · History · 2013

Taken into slavery after the fall of Jerusalem in 605 B.C., Daniel is forced to serve the most powerful king in the world, King Nebuchadnezzar. Faced with imminent death, Daniel proves himself a trusted Advisor and is placed among the king's wise men. Threatened by death at every turn Daniel never ceases to serve the king until he is forced to choose between serving the king or honoring God. With his life at stake, Daniel has nothing but his faith to stand between him and the lions' den.

Movie details

The Book of Daniel

2013 Drama · History 1h 28m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Taken into slavery after the fall of Jerusalem in 605 B.C., Daniel is forced to serve the most powerful king in the world, King Nebuchadnezzar. Faced with imminent death, Daniel proves himself a trusted Advisor and is placed among the king's wise men. Threatened by death at every turn Daniel never ceases to serve the king until he is forced to choose between serving the king or honoring God. With his life at stake, Daniel has nothing but his faith to stand between him and the lions' den.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Book of Daniel?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

Anna Zielinski

Written by

Chuck Konzelman · Cary Solomon

Robert Miano

Robert Miano

Old Daniel

Andrew Bongiorno

Andrew Bongiorno

Daniel

Lance Henriksen

Lance Henriksen

Cyrus

Kevin McCorkle

Kevin McCorkle

Croesus

Rolf Saxon

Rolf Saxon

Nebuchadnezzar

P

Peter Kluge

Darius

Liam Matthews

Liam Matthews

Hootan

Court is in session

Put The Book of Daniel on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.