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Little Nemo: Adventures in Slumberland

Little Nemo: Adventures in Slumberland

Adventure · Animation · Family · 1989

A little boy whose dreams transcend reality is sucked into his own fantasy, which is everything he has dreamed of, until he unleashes an old secret that may not only destroy this perfect dream world but reality itself.

Movie details

Little Nemo: Adventures in Slumberland

“Take off on a wonderful adventure with "Little Nemo."”

1989 Adventure · Animation · Family 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

A little boy whose dreams transcend reality is sucked into his own fantasy, which is everything he has dreamed of, until he unleashes an old secret that may not only destroy this perfect dream world but reality itself.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Little Nemo: Adventures in Slumberland?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Masami Hata · William T. Hurtz · Masanori Hata

Written by

Ray Bradbury · Richard Outten · Jean Giraud · Chris Columbus

T

Takuma Gono

Nemo (voice)

Chikao Ohtsuka

Chikao Ohtsuka

Flip (voice) / Professor Genius (voice)

Hiroko Kasahara

Hiroko Kasahara

Princess Camille (voice)

Kenji Utsumi

Kenji Utsumi

King Morpheus (voice)

Taro Ishida

Taro Ishida

Nightmare King (voice)

Tessyo Genda

Tessyo Genda

Nemo's Father (voice)

Mari Yokoo

Mari Yokoo

Nemo's Mother (voice)

Court is in session

Put Little Nemo: Adventures in Slumberland on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.