“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The Apple Dumpling Gang Rides Again
Comedy · Family · Western · 1979
Amos and Theodore, the two bumbling outlaw wannabes from The Apple Dumpling Gang, are back and trying to make it on their own. This time, the crazy duo gets involved in an army supply theft case -- and, of course, gets in lots of comic trouble along the way!
The Apple Dumpling Gang Rides Again
“As belles, they were ding-dongs... they enlisted, and were rotten to the corps... and when things got hotter... they went to the cooler... now, they're on the loose again!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.5 / 10
Community rating
Amos and Theodore, the two bumbling outlaw wannabes from The Apple Dumpling Gang, are back and trying to make it on their own. This time, the crazy duo gets involved in an army supply theft case -- and, of course, gets in lots of comic trouble along the way!
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Apple Dumpling Gang Rides Again?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Vincent McEveety
Written by
Don Tait
Put The Apple Dumpling Gang Rides Again on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






