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A Face in the Crowd

A Face in the Crowd

Drama · 1957

The rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.

Movie details

A Face in the Crowd

“POWER! He loved it! He took it raw in big gulpfuls … he liked the taste, the way it mixed with the bourbon and the sin in his blood!”

1957 Drama 2h 5m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

The rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Face in the Crowd?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Elia Kazan

Written by

Budd Schulberg

Andy Griffith

Andy Griffith

Larry 'Lonesome' Rhodes

Patricia Neal

Patricia Neal

Marcia Jeffries

Anthony Franciosa

Anthony Franciosa

Joey DePalma

Walter Matthau

Walter Matthau

Mel Miller

Lee Remick

Lee Remick

Betty Lou Fleckum

Percy Waram

Percy Waram

General Haynesworth

Paul McGrath

Paul McGrath

Macey

Court is in session

Put A Face in the Crowd on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.