“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The Funeral
Crime · Drama · 1996
After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.
The Funeral
“One family, one murder, too many lies.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Funeral?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Abel Ferrara
Written by
Nicholas St. John
Put The Funeral on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.






