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The Funeral

The Funeral

Crime · Drama · 1996

After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.

Movie details

The Funeral

“One family, one murder, too many lies.”

1996 Crime · Drama 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Funeral?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Casino

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True Confessions

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A cop clashes with his priest brother while investigating the brutal murder of a young prostitute.

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Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.

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Summer of Sam

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Killer Joe

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A cop who moonlights as a hit man agrees to kill the hated mother of a desperate drug dealer in exchange for a tumble with the young man's virginal sister.

Where it lives

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Names above the title

The people responsible.

Directed by

Abel Ferrara

Written by

Nicholas St. John

Christopher Walken

Christopher Walken

Ray Tempio

Chris Penn

Chris Penn

Chez Tempio

Annabella Sciorra

Annabella Sciorra

Jean

Isabella Rossellini

Isabella Rossellini

Clara Tempio

Vincent Gallo

Vincent Gallo

Johnny

Benicio del Toro

Benicio del Toro

Gaspare

Gretchen Mol

Gretchen Mol

Helen

Court is in session

Put The Funeral on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.