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Twitches

Twitches

Comedy · Drama · Family · 2005

Twins separated at birth, Camryn and Alex meet by chance for the first time on their 21st birthday and discover they're witches with the power to save their homeland of Coventry from the evil that threatens it. But when Camryn leaves Alex to face the darkness alone, will Coventry be doomed? Or will the sisters multiply their magic by standing together?

Movie details

Twitches

“This Halloween, broomsticks are so not happenin'.”

2005 Comedy · Drama · Family 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Twins separated at birth, Camryn and Alex meet by chance for the first time on their 21st birthday and discover they're witches with the power to save their homeland of Coventry from the evil that threatens it. But when Camryn leaves Alex to face the darkness alone, will Coventry be doomed? Or will the sisters multiply their magic by standing together?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Twitches?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A girl, sent by her parents to live with her two eccentric aunts, finds out on her sixteenth birthday that she is a witch.

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Christopher Robin

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The Boy Who Cried Werewolf

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Names above the title

The people responsible.

Directed by

Stuart Gillard

Written by

Melissa Gould · Dan Berendsen

Tia Mowry

Tia Mowry

Alex Fielding / Artemis

Tamera Mowry-Housley

Tamera Mowry-Housley

Camryn Barnes / Apolla

Kristen Wilson

Kristen Wilson

Miranda

Patrick Fabian

Patrick Fabian

Thantos

Pat Kelly

Pat Kelly

Karsh

Jennifer Robertson

Jennifer Robertson

Illeana

Jessica Greco

Jessica Greco

Lucinda

Court is in session

Put Twitches on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.