“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

Bears
Documentary · 2014
Filmmakers Alastair Fothergill and Keith Scholey chronicle a year in the lives of an Alaskan brown bear named Sky and her cubs, Scout and Amber. Their saga begins as the bears emerge from hibernation at the end of winter. As time passes, the bear family must work together to find food and stay safe from other predators, especially other bears. Although their world is exciting, it is also risky, and the cubs' survival hinges on family togetherness.
Bears
“Love. Joy. Struggle. Strength. Love.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.4 / 10
Community rating
Filmmakers Alastair Fothergill and Keith Scholey chronicle a year in the lives of an Alaskan brown bear named Sky and her cubs, Scout and Amber. Their saga begins as the bears emerge from hibernation at the end of winter. As time passes, the bear family must work together to find food and stay safe from other predators, especially other bears. Although their world is exciting, it is also risky, and the cubs' survival hinges on family togetherness.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Bears?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Alastair Fothergill · Keith Scholey
Put Bears on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.
