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Romance · Drama · Crime · 1969

A German student, Stefan, now finished with his studies, hitchhikes to Paris. There he meets a free-spirited American girl, Estelle, who he follows to Ibiza. The two begin a sad and dark path into heroin addiction.

Movie details

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1969 Romance · Drama · Crime 1h 57m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A German student, Stefan, now finished with his studies, hitchhikes to Paris. There he meets a free-spirited American girl, Estelle, who he follows to Ibiza. The two begin a sad and dark path into heroin addiction.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over More?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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In contemporary Los Angeles, two millennials navigating a social media–driven hookup culture begin a relationship that pushes both emotional and physical boundaries.

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A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.

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Trainspotting

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Requiem for a Dream

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Where it lives

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Names above the title

The people responsible.

Directed by

Barbet Schroeder

Written by

Barbet Schroeder · Paul Gégauff

Mimsy Farmer

Mimsy Farmer

Estelle Miller

Klaus Grünberg

Klaus Grünberg

Stefan Brückner

Heinz Engelmann

Heinz Engelmann

Dr. Ernesto Wolf

M

Michel Chanderli

Charlie

H

Henry Wolf

Henry

L

Louise Wink

Cathy

Georges Montant

Georges Montant

Seller (uncredited)

Court is in session

Put More on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.