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Fluke

Fluke

Drama · Adventure · Family · 1995

Workaholic Thomas Johnson dies in an auto accident and reincarnates as a dog. Remembering some of his previous being, he returns to his wife and son to protect them from the man who caused his accident. But, as time goes by, his memories return, and Thomas realizes he wasn't such a good husband and father.

Movie details

Fluke

“Unleash your imagination... and come along on a magical journey. Follow him home.”

1995 Drama · Adventure · Family 1h 36m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Workaholic Thomas Johnson dies in an auto accident and reincarnates as a dog. Remembering some of his previous being, he returns to his wife and son to protect them from the man who caused his accident. But, as time goes by, his memories return, and Thomas realizes he wasn't such a good husband and father.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fluke?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Max

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I Am David

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Stand by Me

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Names above the title

The people responsible.

Directed by

Carlo Carlei

Written by

Carlo Carlei · James Carrington

Matthew Modine

Matthew Modine

Thomas P. Johnson / Voice of Fluke

Nancy Travis

Nancy Travis

Carol Johnson

Eric Stoltz

Eric Stoltz

Jeff Newman

Max Pomeranc

Max Pomeranc

Brian Johnson

Ron Perlman

Ron Perlman

Sylvester

Jon Polito

Jon Polito

Boss

Bill Cobbs

Bill Cobbs

Bert

Court is in session

Put Fluke on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.