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Ocean Waves

Ocean Waves

Animation · Drama · Romance · 1993

At Kichijōji Station, Tokyo, Taku Morisaki glimpses a familiar woman on the platform opposite boarding a train. Later, her photo falls from a shelf as he exits his apartment before flying to Kōchi Prefecture. Picking it up, he looks at it briefly before leaving. As the aeroplane takes off, he narrates the events that brought her into his life...

Movie details

Ocean Waves

1993 Animation · Drama · Romance 1h 12m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

At Kichijōji Station, Tokyo, Taku Morisaki glimpses a familiar woman on the platform opposite boarding a train. Later, her photo falls from a shelf as he exits his apartment before flying to Kōchi Prefecture. Picking it up, he looks at it briefly before leaving. As the aeroplane takes off, he narrates the events that brought her into his life...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ocean Waves?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tomomi Mochizuki

Written by

Keiko Niwa

Nobuo Tobita

Nobuo Tobita

Taku Morisaki (voice)

Y

Yoko Sakamoto

Rikako Muto (voice)

Toshihiko Seki

Toshihiko Seki

Yutaka Matsuno (voice)

Yuri Amano

Yuri Amano

Akiko Shimizu (voice)

Kae Araki

Kae Araki

Yumi Kohama (voice)

Jun'ichi Kanemaru

Jun'ichi Kanemaru

Okada (voice)

Ai Satou

Ai Satou

Taku's Mother (voice)

Court is in session

Put Ocean Waves on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.