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Parkland

Parkland

History · Drama · 2013

November 22nd, 1963 was a day that changed the world forever — when young American President John F. Kennedy was assassinated in Dallas, Texas. This film follows, almost in real time, a handful of individuals forced to make split-second decisions after an event that would change their lives and forever alter the world’s landscape.

Movie details

Parkland

“November 22, 1963, 12:38 pm - A trauma patient is rushed to Parkland Memorial Hospital in Dallas. His name is President John F. Kennedy.”

2013 History · Drama 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

November 22nd, 1963 was a day that changed the world forever — when young American President John F. Kennedy was assassinated in Dallas, Texas. This film follows, almost in real time, a handful of individuals forced to make split-second decisions after an event that would change their lives and forever alter the world’s landscape.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Parkland?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Peter Landesman

Written by

Peter Landesman

Zac Efron

Zac Efron

Jim Carrico

Marcia Gay Harden

Marcia Gay Harden

Doris Nelson

Paul Giamatti

Paul Giamatti

Abraham Zapruder

Billy Bob Thornton

Billy Bob Thornton

Forrest Sorrels

Jacki Weaver

Jacki Weaver

Marguerite Oswald

Ron Livingston

Ron Livingston

James Hosty

Jeremy Strong

Jeremy Strong

Lee Harvey Oswald

Court is in session

Put Parkland on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.