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Le Doulos

Le Doulos

Drama · Thriller · Crime · 1962

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

Movie details

Le Doulos

“Raw! Shocking! Savage!”

1962 Drama · Thriller · Crime 1h 48m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Le Doulos?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jean-Pierre Melville

Written by

Jean-Pierre Melville

Jean-Paul Belmondo

Jean-Paul Belmondo

Silien

Serge Reggiani

Serge Reggiani

Maurice Faugel

Jean Desailly

Jean Desailly

Superintendant Clain

René Lefèvre

René Lefèvre

Gilbert Varnove

Marcel Cuvelier

Marcel Cuvelier

Police inspector

Philippe March

Philippe March

Jean

Fabienne Dali

Fabienne Dali

Fabienne

Court is in session

Put Le Doulos on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.