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Mr. Holland's Opus

Mr. Holland's Opus

Drama · Music · 1995

In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.

Movie details

Mr. Holland's Opus

“Of all the lives he changed, the one that changed the most was his own.”

1995 Drama · Music 2h 23m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mr. Holland's Opus?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Stephen Herek

Written by

Patrick Sheane Duncan

Richard Dreyfuss

Richard Dreyfuss

Glenn Holland

Glenne Headly

Glenne Headly

Iris Holland

Jay Thomas

Jay Thomas

Bill Meister

Olympia Dukakis

Olympia Dukakis

Principal Jacobs

William H. Macy

William H. Macy

Vice Principal Gene Wolters

Alicia Witt

Alicia Witt

Gertrude Lang

Terrence Howard

Terrence Howard

Louis Russ

Court is in session

Put Mr. Holland's Opus on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.