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Not Another Happy Ending

Not Another Happy Ending

Romance · Comedy · Drama · 2013

When a struggling publisher discovers his only successful author is blocked, he knows he has to unblock her or he's finished. With her newfound success, she's become too happy and she can't write when she's happy. The only trouble is, the worse he makes her feel, the more he realizes he's in love with her.

Movie details

Not Another Happy Ending

“Sometimes love needs a re-write.”

2013 Romance · Comedy · Drama 1h 42m

Critical arithmetic

The consensus, allegedly.

IMDb

6.1 / 10

5.2K votes

Rotten Tomatoes

33 %

Tomatometer

TMDB

5.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When a struggling publisher discovers his only successful author is blocked, he knows he has to unblock her or he's finished. With her newfound success, she's become too happy and she can't write when she's happy. The only trouble is, the worse he makes her feel, the more he realizes he's in love with her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Not Another Happy Ending?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John McKay

Written by

David Solomons

Karen Gillan

Karen Gillan

Jane Lockhart

Stanley Weber

Stanley Weber

Tom Duval

Iain De Caestecker

Iain De Caestecker

Roddy

Henry Ian Cusick

Henry Ian Cusick

Willie

Kate Dickie

Kate Dickie

Anne Lefevre

Amy Manson

Amy Manson

Darsie

Freya Mavor

Freya Mavor

Nicola Ball

Court is in session

Put Not Another Happy Ending on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.