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The Ugly Dachshund

The Ugly Dachshund

Comedy · Drama · Family · 1966

The Garrisons are the "proud parents" of three adorable dachshund pups - and one overgrown Great Dane named Brutus, who nevertheless thinks of himself as a dainty dachsie. His identity crisis results in an uproarious series of household crises that reduce the Garrisons' house to shambles - and viewers to howls of laughter!

Movie details

The Ugly Dachshund

“A HAPPY HONEYMOON GOES TO THE DOGS!...When a Great Dane disguised as a Dachsie crashes the party!”

1966 Comedy · Drama · Family 1h 33m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

4.8K votes

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

The Garrisons are the "proud parents" of three adorable dachshund pups - and one overgrown Great Dane named Brutus, who nevertheless thinks of himself as a dainty dachsie. His identity crisis results in an uproarious series of household crises that reduce the Garrisons' house to shambles - and viewers to howls of laughter!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Ugly Dachshund?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Norman Tokar

Written by

Albert Aley

Dean Jones

Dean Jones

Mark Garrison

Suzanne Pleshette

Suzanne Pleshette

Fran Garrison

Charles Ruggles

Charles Ruggles

Dr. J. L. Pruitt

Kelly Thordsen

Kelly Thordsen

Officer Carmody

Parley Baer

Parley Baer

Mel Chadwick

Charles Lane

Charles Lane

Judge

R

Robert Kino

Mr. Toyama

Court is in session

Put The Ugly Dachshund on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.