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The Adventures of Bullwhip Griffin

The Adventures of Bullwhip Griffin

Action · Comedy · Drama · 1967

To restore his family's lost wealth, a young Boston lad stows away on a ship bound for the California Gold Rush. When their very proper butler gives chase, all roads lead to nonstop adventure, wild and woolly characters, and a lucky punch that leads to a bonanza of belly laughs!

Movie details

The Adventures of Bullwhip Griffin

“When the family fortune runs out, the laughs rush in.”

1967 Action · Comedy · Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

To restore his family's lost wealth, a young Boston lad stows away on a ship bound for the California Gold Rush. When their very proper butler gives chase, all roads lead to nonstop adventure, wild and woolly characters, and a lucky punch that leads to a bonanza of belly laughs!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Adventures of Bullwhip Griffin?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

James Neilson

Written by

Lowell S. Hawley

Roddy McDowall

Roddy McDowall

Bullwhip Griffin

Suzanne Pleshette

Suzanne Pleshette

Arabella Flagg

Karl Malden

Karl Malden

Judge Higgins

Harry Guardino

Harry Guardino

Sam Trimble

Richard Haydn

Richard Haydn

Quentin Bartlett

Hermione Baddeley

Hermione Baddeley

Miss Irene Chesney

Bryan Russell

Bryan Russell

Jack Flagg

Court is in session

Put The Adventures of Bullwhip Griffin on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.