“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The 300 Spartans
Adventure · History · War · 1962
The 300 Spartans is an account of the 480 B.C. Battle of Thermopylae, in which the Greek Spartan King Leonidas, played by Richard Egan, led a remarkably small number of Greek Sparta to victory over an invading Persian army led by evil King Xerxes that was thought to number over 25,000. This spectacular conflict gave the Grecians enough time to organize a force to ultimately repel the Persians, and thus change the course of Western civilization.
The 300 Spartans
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.5 / 10
Community rating
The 300 Spartans is an account of the 480 B.C. Battle of Thermopylae, in which the Greek Spartan King Leonidas, played by Richard Egan, led a remarkably small number of Greek Sparta to victory over an invading Persian army led by evil King Xerxes that was thought to number over 25,000. This spectacular conflict gave the Grecians enough time to organize a force to ultimately repel the Persians, and thus change the course of Western civilization.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The 300 Spartans?
The Prestige Tourist
“You like your greatness pre-approved.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Rudolph Maté
Written by
Gian Paolo Callegari · Remigio Del Grosso
Put The 300 Spartans on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.






