“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Wolf Creek 2
Horror · Thriller · 2013
Lured by the promise of an Australian holiday, backpackers Rutger, Katarina and Paul visit the notorious Wolf Creek Crater. Their dream Outback adventure soon becomes a horrific reality when they encounter the site's most infamous local, the last man any traveller to the region ever wants to meet—Mick Taylor. As the backpackers flee, Mick pursues them on an epic white knuckled rampage across hostile wasteland.
Wolf Creek 2
“The outback can be crazy this time of year.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
Lured by the promise of an Australian holiday, backpackers Rutger, Katarina and Paul visit the notorious Wolf Creek Crater. Their dream Outback adventure soon becomes a horrific reality when they encounter the site's most infamous local, the last man any traveller to the region ever wants to meet—Mick Taylor. As the backpackers flee, Mick pursues them on an epic white knuckled rampage across hostile wasteland.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Wolf Creek 2?
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their caseThe Sentimental Softie
“You came to feel something, and you will.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Greg McLean
Written by
Greg McLean · Aaron Sterns
Put Wolf Creek 2 on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






