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The World of Henry Orient

The World of Henry Orient

Comedy · Drama · 1964

A mischievous, adventuresome fourteen-year-old girl and her best friend begin following an eccentric concert pianist around New York City after she develops a crush on him.

Movie details

The World of Henry Orient

“Step into the world of Henry Orient...and meet two junior-size misses and one king-size nut!”

1964 Comedy · Drama 1h 46m

Critical arithmetic

The consensus, allegedly.

IMDb

6.6 / 10

3.9K votes

Rotten Tomatoes

91 %

Tomatometer

TMDB

5.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A mischievous, adventuresome fourteen-year-old girl and her best friend begin following an eccentric concert pianist around New York City after she develops a crush on him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The World of Henry Orient?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

George Roy Hill

Written by

Nora Johnson · Nunnally Johnson

Peter Sellers

Peter Sellers

Henry Orient

Tippy Walker

Tippy Walker

Valarie Campbell Boyd

Merrie Spaeth

Merrie Spaeth

Marian 'Gil' Gilbert

Paula Prentiss

Paula Prentiss

Stella Dunnworthy

Angela Lansbury

Angela Lansbury

Isabel Boyd

Tom Bosley

Tom Bosley

Frank Boyd

Phyllis Thaxter

Phyllis Thaxter

Mrs. Avis Gilbert

Court is in session

Put The World of Henry Orient on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.