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The Ultimate Life

The Ultimate Life

Drama · Romance · 2013

Despite his best intentions, billionaire Jason Stevens can’t find enough time to keep his beloved Alexia a priority. But when he discovers his late grandfather’s journal, he is transported back to Red Stevens’ incredible world. With everything he loves hanging in the balance, Jason Stevens hopes the past will prepare him well for the future.

Movie details

The Ultimate Life

“Some things are worth more than money.”

2013 Drama · Romance 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Despite his best intentions, billionaire Jason Stevens can’t find enough time to keep his beloved Alexia a priority. But when he discovers his late grandfather’s journal, he is transported back to Red Stevens’ incredible world. With everything he loves hanging in the balance, Jason Stevens hopes the past will prepare him well for the future.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Ultimate Life?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Michael Landon Jr.

Written by

Lisa G. Shillingburg · Brian Bird · Cheryl McKay

Peter Fonda

Peter Fonda

Jacob Early

Bill Cobbs

Bill Cobbs

Ted Hamilton

Ali Hillis

Ali Hillis

Alexia

Lee Meriwether

Lee Meriwether

Mrs. Hastings

Logan Bartholomew

Logan Bartholomew

Jason Stevens

David Mann

David Mann

Hobo Joe

Drew Waters

Drew Waters

Red Stevens

Court is in session

Put The Ultimate Life on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.