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Strike!

Strike!

Comedy · Drama · 1998

In 1963 New England, a group of friends at an all-girls academy learn that they're going to be combined with a nearby all-boys institution. They concoct a plan to save their school while dealing with everyday problems along the way.

Movie details

Strike!

“Get ready for a radical education.”

1998 Comedy · Drama 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In 1963 New England, a group of friends at an all-girls academy learn that they're going to be combined with a nearby all-boys institution. They concoct a plan to save their school while dealing with everyday problems along the way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Strike!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Sarah Kernochan

Written by

Sarah Kernochan

Kirsten Dunst

Kirsten Dunst

Verena von Stefan

Gaby Hoffmann

Gaby Hoffmann

Odette

Lynn Redgrave

Lynn Redgrave

Miss McVane

Tom Guiry

Tom Guiry

'Frosty' Frost

Rachael Leigh Cook

Rachael Leigh Cook

Abigail 'Abby' Sawyer

Vincent Kartheiser

Vincent Kartheiser

Snake – Flat Critter

Monica Keena

Monica Keena

Tinka Parker

Court is in session

Put Strike! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.