The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Strike!
Comedy · Drama · 1998
In 1963 New England, a group of friends at an all-girls academy learn that they're going to be combined with a nearby all-boys institution. They concoct a plan to save their school while dealing with everyday problems along the way.
Movie details
Strike!
“Get ready for a radical education.”
1998 Comedy · Drama 1h 37m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
In 1963 New England, a group of friends at an all-girls academy learn that they're going to be combined with a nearby all-boys institution. They concoct a plan to save their school while dealing with everyday problems along the way.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Strike!?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Sarah Kernochan
Written by
Sarah Kernochan
Kirsten Dunst
Verena von Stefan
Gaby Hoffmann
Odette
Lynn Redgrave
Miss McVane
Tom Guiry
'Frosty' Frost
Rachael Leigh Cook
Abigail 'Abby' Sawyer
Vincent Kartheiser
Snake – Flat Critter
Monica Keena
Tinka Parker
Court is in session
Put Strike! on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.