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Were the World Mine

Were the World Mine

Fantasy · Romance · 2008

If you had a love-potion, who would you make fall madly in love with you? Timothy, prone to escaping his dismal high school reality through dazzling musical daydreams, gets to answer that question in a very real way. After his eccentric teacher casts him as Puck in A Midsummer Night's Dream, he stumbles upon a recipe hidden within the script to create the play's magical, purple love-pansy.

Movie details

Were the World Mine

“a musical dream come true”

2008 Fantasy · Romance 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

If you had a love-potion, who would you make fall madly in love with you? Timothy, prone to escaping his dismal high school reality through dazzling musical daydreams, gets to answer that question in a very real way. After his eccentric teacher casts him as Puck in A Midsummer Night's Dream, he stumbles upon a recipe hidden within the script to create the play's magical, purple love-pansy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Were the World Mine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tom Gustafson

Written by

Tom Gustafson · Cory Krueckeberg

Tanner Cohen

Tanner Cohen

Timothy

Judy McLane

Judy McLane

Donna

Zelda Williams

Zelda Williams

Frankie

Wendy Robie

Wendy Robie

Mrs. Tebbit

Jill Larson

Jill Larson

Nora Bellinger

R

Ricky Goldman

Max

N

Nathaniel David Becker

Jonathon

Court is in session

Put Were the World Mine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.