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Loving Annabelle

Loving Annabelle

Drama · Romance · 2007

Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly though when sexual chemistry appears between her and the Head of her dorm and English teacher, Simone Bradley. Annabelle pursues her relentlessly and until the end the older woman manages to avoid the law.

Movie details

Loving Annabelle

“One student. One teacher. One secret.”

2007 Drama · Romance 1h 17m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly though when sexual chemistry appears between her and the Head of her dorm and English teacher, Simone Bradley. Annabelle pursues her relentlessly and until the end the older woman manages to avoid the law.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Loving Annabelle?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Katherine Brooks

Written by

Katherine Brooks

Erin Kelly

Erin Kelly

Annabelle Tillman

D

Diane Gaidry

Simone Bradley

Laura Breckenridge

Laura Breckenridge

Colins

Michelle Horn

Michelle Horn

Kristen

G

Gustine Fudickar

Cat Pegrum

Ilene Graff

Ilene Graff

Mother Immaculata

Kevin McCarthy

Kevin McCarthy

Father Harris

Court is in session

Put Loving Annabelle on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.