“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Round Da Way
Animation · Comedy · 2009
It’s summer in the hood. As every year, there are those who stay, those who leave, and... those who should have left. Some, like Joe Hustleton, work «under the table» in the rich neighborhoods and fall head over heels for a pretty girl. Some, like Tony Pepperoni, play businessman and spend the summer fleeing a local gang leader and a psychopathic girlfriend. Some, like Sammy and Harvey, pretend to have left. Tropics are far for the homies... and summer promises to be very hot!
Round Da Way
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.6 / 10
Community rating
It’s summer in the hood. As every year, there are those who stay, those who leave, and... those who should have left. Some, like Joe Hustleton, work «under the table» in the rich neighborhoods and fall head over heels for a pretty girl. Some, like Tony Pepperoni, play businessman and spend the summer fleeing a local gang leader and a psychopathic girlfriend. Some, like Sammy and Harvey, pretend to have left. Tropics are far for the homies... and summer promises to be very hot!
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Round Da Way?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Albert Pereira-Lazaro · Emmanuel Klotz
Written by
Alexis Dolivet
Put Round Da Way on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






