The defence The Prestige Tourist
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
Back to trending 
The Men
Drama · 1950
Ken, a WWII GI, returns home after he's paralyzed in battle. Residing in the paraplegic ward of a veteran's hospital and embittered by his condition, he refuses to see his fiancée and sinks into a solitary world of hatred and hostility. Head physician, Dr. Brock cajoles the withdrawn Ken into the life of the ward, where fellow patients Norm, Leo and Angel begin to pull him out of his spiritual dilemma.
Movie details
The Men
“A completely new experience between men and women!”
1950 Drama 1h 25m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.0 / 10
Community rating
Ken, a WWII GI, returns home after he's paralyzed in battle. Residing in the paraplegic ward of a veteran's hospital and embittered by his condition, he refuses to see his fiancée and sinks into a solitary world of hatred and hostility. Head physician, Dr. Brock cajoles the withdrawn Ken into the life of the ward, where fellow patients Norm, Leo and Angel begin to pull him out of his spiritual dilemma.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Men?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Fred Zinnemann
Written by
Carl Foreman
Marlon Brando
Ken
Teresa Wright
Ellen
Everett Sloane
Dr. Brock
Jack Webb
Norm
Richard Erdman
Leo
Arthur Jurado
Angel
Virginia Farmer
Nurse Robbins
Court is in session
Put The Men on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.