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The Spirit of St. Louis

The Spirit of St. Louis

Drama · History · 1957

In 1927, Charles Lindbergh struggles to finance and design an airplane that will make his New York to Paris flight the first solo transatlantic crossing.

Movie details

The Spirit of St. Louis

“One of the Great Adventures of Our Time!”

1957 Drama · History 2h 15m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

8.9K votes

Rotten Tomatoes

83 %

Tomatometer

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In 1927, Charles Lindbergh struggles to finance and design an airplane that will make his New York to Paris flight the first solo transatlantic crossing.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Spirit of St. Louis?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Billy Wilder

Written by

Wendell Mayes · Billy Wilder

James Stewart

James Stewart

Charles Augustus 'Slim' Lindbergh

Murray Hamilton

Murray Hamilton

Bud Gurney

Patricia Smith

Patricia Smith

Mirror Girl

Bartlett Robinson

Bartlett Robinson

Benjamin Frank Mahoney, President Ryan Airlines Co.

Marc Connelly

Marc Connelly

Father Hussman

Arthur Space

Arthur Space

Donald Hall, Chief Engineer Ryan Airlines

Charles Watts

Charles Watts

O.W. Schultz, Salesman Atlas Suspender Co.

Court is in session

Put The Spirit of St. Louis on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.