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Fur: An Imaginary Portrait of Diane Arbus

Fur: An Imaginary Portrait of Diane Arbus

Drama · History · 2006

In 1958 New York Diane Arbus is a housewife and mother who works as an assistant to her husband, a photographer employed by her wealthy parents. Respectable though her life is, she cannot help but feel uncomfortable in her privileged world. One night, a new neighbor catches Diane's eye, and the enigmatic man inspires her to set forth on the path to discovering her own artistry.

Movie details

Fur: An Imaginary Portrait of Diane Arbus

“A love story.”

2006 Drama · History 2h 2m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

In 1958 New York Diane Arbus is a housewife and mother who works as an assistant to her husband, a photographer employed by her wealthy parents. Respectable though her life is, she cannot help but feel uncomfortable in her privileged world. One night, a new neighbor catches Diane's eye, and the enigmatic man inspires her to set forth on the path to discovering her own artistry.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fur: An Imaginary Portrait of Diane Arbus?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Steven Shainberg

Written by

Erin Cressida Wilson

Nicole Kidman

Nicole Kidman

Diane Arbus

Robert Downey Jr.

Robert Downey Jr.

Lionel Sweeney

Ty Burrell

Ty Burrell

Allan Arbus

Harris Yulin

Harris Yulin

David Nemerov

Jane Alexander

Jane Alexander

Gertrude Nemerov

Emmy Clarke

Emmy Clarke

Grace Arbus

Genevieve McCarthy

Genevieve McCarthy

Sophie Arbus

Court is in session

Put Fur: An Imaginary Portrait of Diane Arbus on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.