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My Science Project

My Science Project

Comedy · Family · Fantasy · 1985

His high school teacher issues an ultimatum: turn in a science project or flunk. So Mike Harlan scavenges a military base's junk pile for a suitable gizmo. He finds one... and unwittingly unleashes the awesome power and energy of the unknown. Twisted dimensions. Time warps. A fantastic realm where the past, present, and future collide in a whirling vortex of startling adventure and superlative special effects.

Movie details

My Science Project

“We must not destroy the world.”

1985 Comedy · Family · Fantasy 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

His high school teacher issues an ultimatum: turn in a science project or flunk. So Mike Harlan scavenges a military base's junk pile for a suitable gizmo. He finds one... and unwittingly unleashes the awesome power and energy of the unknown. Twisted dimensions. Time warps. A fantastic realm where the past, present, and future collide in a whirling vortex of startling adventure and superlative special effects.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My Science Project?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jonathan R. Betuel

Written by

Jonathan R. Betuel

John Stockwell

John Stockwell

Michael Harlan

Danielle von Zerneck

Danielle von Zerneck

Ellie Sawyer

Fisher Stevens

Fisher Stevens

Vince Latello

Raphael Sbarge

Raphael Sbarge

Sherman

Richard Masur

Richard Masur

Detective Isadore Nulty

Barry Corbin

Barry Corbin

Lew Harlan

Ann Wedgeworth

Ann Wedgeworth

Dolores

Court is in session

Put My Science Project on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.