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Phone Booth

Phone Booth

Thriller · Crime · 2003

A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding.

Movie details

Phone Booth

“No options. No lies. No fear. No deals. Just keep talking.”

2003 Thriller · Crime 1h 21m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

300.8K votes

Rotten Tomatoes

72 %

Tomatometer

Metacritic

56 / 100

Metascore

TMDB

6.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Phone Booth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Joel Schumacher

Written by

Larry Cohen

Colin Farrell

Colin Farrell

Stu Shepard

Kiefer Sutherland

Kiefer Sutherland

The Caller

Forest Whitaker

Forest Whitaker

Captain Ramey

Radha Mitchell

Radha Mitchell

Kelly Shepard

Katie Holmes

Katie Holmes

Pamela McFadden

Paula Jai Parker

Paula Jai Parker

Felicia

Arian Ash

Arian Ash

Corky

Court is in session

Put Phone Booth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.