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The Golden Voyage of Sinbad

The Golden Voyage of Sinbad

Action · Adventure · Drama · 1973

Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile, Sinbad meets the Vizier who has another part of the interlocking golden map, and they mount a quest across the seas to solve the riddle of the map.

Movie details

The Golden Voyage of Sinbad

“Sinbad battles the creatures of legend in the miracle of Dynarama”

1973 Action · Adventure · Drama 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile, Sinbad meets the Vizier who has another part of the interlocking golden map, and they mount a quest across the seas to solve the riddle of the map.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Golden Voyage of Sinbad?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Gordon Hessler

Written by

Brian Clemens · Ray Harryhausen

John Phillip Law

John Phillip Law

Captain Sinbad

Caroline Munro

Caroline Munro

Margiana

Tom Baker

Tom Baker

Prince Koura

Douglas Wilmer

Douglas Wilmer

Vizier

Martin Shaw

Martin Shaw

Rachid

Grégoire Aslan

Grégoire Aslan

Hakim

K

Kurt Christian

Haroun

Court is in session

Put The Golden Voyage of Sinbad on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.