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Where the Day Takes You

Where the Day Takes You

Drama · Thriller · Crime · 1992

King is a young man, but he's already a veteran of life on the streets of Los Angeles. The de facto leader of a group of teenage runaways, King acts as a mentor to troubled kids such as gay hustler Little J and junkie Greg. When Heather, a beautiful girl from Chicago, starts hanging out with King and his crew, it changes the dynamic of the gang. However, it seems as though nothing will alter their dangerous lifestyle.

Movie details

Where the Day Takes You

“No parents. No rules.”

1992 Drama · Thriller · Crime 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

King is a young man, but he's already a veteran of life on the streets of Los Angeles. The de facto leader of a group of teenage runaways, King acts as a mentor to troubled kids such as gay hustler Little J and junkie Greg. When Heather, a beautiful girl from Chicago, starts hanging out with King and his crew, it changes the dynamic of the gang. However, it seems as though nothing will alter their dangerous lifestyle.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Where the Day Takes You?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Marc Rocco

Written by

Michael Hitchcock · Kurt Voss · Marc Rocco

Sean Astin

Sean Astin

Greg

Lara Flynn Boyle

Lara Flynn Boyle

Heather

Peter Dobson

Peter Dobson

Tommy Ray

Balthazar Getty

Balthazar Getty

Little J

Ricki Lake

Ricki Lake

Brenda

James Le Gros

James Le Gros

Crasher

Kyle MacLachlan

Kyle MacLachlan

Ted

Court is in session

Put Where the Day Takes You on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.