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Dunkirk

Dunkirk

Drama · War · 1958

A British Corporal in France finds himself responsible for the lives of his men when their officer is killed. He has to get them back to Britain somehow. Meanwhile, British civilians are being dragged into the war with Operation Dynamo, the scheme to get the French and British forces back from the Dunkirk beaches. Some come forward to help, others were less willing.

Movie details

Dunkirk

1958 Drama · War 2h 14m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

3.8K votes

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A British Corporal in France finds himself responsible for the lives of his men when their officer is killed. He has to get them back to Britain somehow. Meanwhile, British civilians are being dragged into the war with Operation Dynamo, the scheme to get the French and British forces back from the Dunkirk beaches. Some come forward to help, others were less willing.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dunkirk?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Operation Mincemeat

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Names above the title

The people responsible.

Directed by

Leslie Norman

Written by

David Divine · W.P. Lipscomb

John Mills

John Mills

Cpl Tubby Binns

Richard Attenborough

Richard Attenborough

John Holden

Bernard Lee

Bernard Lee

Charles Foreman

Robert Urquhart

Robert Urquhart

Mike

Ray Jackson

Ray Jackson

Barlow

Ronald Hines

Ronald Hines

Private Miles

Sean Barrett

Sean Barrett

Frankie

Court is in session

Put Dunkirk on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.