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The TV Set

The TV Set

Comedy · 2007

As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show's response from test audiences and brings the show a step closer to getting on the air.

Movie details

The TV Set

“A place where dreams are cancelled.”

2007 Comedy 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show's response from test audiences and brings the show a step closer to getting on the air.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The TV Set?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Jake Kasdan

Written by

Jake Kasdan

David Duchovny

David Duchovny

Mike Klein

Sigourney Weaver

Sigourney Weaver

Lenny

Ioan Gruffudd

Ioan Gruffudd

Richard McCallister

Judy Greer

Judy Greer

Alice

Fran Kranz

Fran Kranz

Zach Harper

Lindsay Sloane

Lindsay Sloane

Laurel Simon

Justine Bateman

Justine Bateman

Natalie Klein

Court is in session

Put The TV Set on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.